The Institute supported the 1990 Kevin McKiernan film The Spirit of Crazy Horse. And again, this summer, Haskell and Kevin were shooting in South Dakota on the Rez, revisiting Pine Tree and Wounded Knee.
Haskell reports using the very small Sony 760 allowed him to do HD 24P shooting in tight, rough places like a pick-up truck on a washboard road. The image stabilizing control, which they call Balanced Optical Steady Shot, is a remarkable plus to a $1,500 consumer camera. Blur gets cut down and the entire optical block moves at once to maintain the optical path. Any questions, technical or about the subject matter of the new Wounded Knee shoot, use the Contact page or leave a Comment here.
Haskell reports using the very small Sony 760 allowed him to do HD 24P shooting in tight, rough places like a pick-up truck on a washboard road. The image stabilizing control, which they call Balanced Optical Steady Shot, is a remarkable plus to a $1,500 consumer camera. Blur gets cut down and the entire optical block moves at once to maintain the optical path. Any questions, technical or about the subject matter of the new Wounded Knee shoot, use the Contact page or leave a Comment here.
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